Curriculum Vitae
Curriculum Vitae
Name Sabrina Susan Fuller
Address 13 Beauchamp Road Twickenham TW1 3JD
Telephone +44 787 6682 798
Email sabrinasusanfuller@gmail.com
Website sabrinafuller.com
Instagram @sabrinasusanfuller
Relevant education`
2017 Diploma Directing Documentary, Escuela Internacional de Cine y Television (EICTV), Cuba.
2015-17 MA Photography, London College of Communication (LCC)
2004-2005 Higher National Diploma Photography, Mid Cheshire College
Recent other activities
2022-3 member of Lux (London) Critical Forum – now meeting independently as Deluxe collective.
2020-present: member of Ten Obstructions collective – collectively developing six group exhibitions, and offering mutual support and critiques (formed from bOlder cohort).
2019- 2020: Participant in Castlefield Gallery Manchester’s bOlder talent development programme
2018-19: Lead Artist Artquest Lifeboat residency Limehouse Art Foundation
2016-present: Feminist Duration Reading Group steering group member, regularly planning and organising meetings and collaborations.
2018 A new job in a new town. Participant in Ania Bas’s collaborative writing DIY, funded by LADA and Whitstable Biennial.
Solo exhibitions
Teatre del passat (Theatre of the past) Sala Montserrat Roig, Pati Llimona, Ciutat Vella Barcelona Sept-Oct 2011
Kings Pumphouse, People’s History Museum, Manchester, September-October 2010
Se quien quieres ser (Just who you want to be) Sala Ruïnes Pati Llimona, Ciutat Vella Barcelona March 2007
Selected recent group shows, broadcasts and screenings include:
2023
-The Power of Fragility (HD video 5’35, 2023) in On Disturbances, by Something Other (somethingother.blog) and screened at Goldsmiths CCA in collaboration with Feminist Duration Reading Group, November 2023.
-The Power of Fragility (various media, 2023) in Gladly Beyond, Rogue Studios Project Space, June and July 2023.
-Waiting for the Sun (stereo sound recording 2’, 2023) In Sunscreen, Lux Moving Image, Summer Solstice 2023
-The Big Ship Sails (Don’t Let Your Dreams Leak Away) (HD video 8 minutes, 2022). In In the Making, Salford Museum and Art Gallery, December 2022-April 2023.
-I set fire to my memories (installation including 3x stereo sound recordings, each 20’, 2023 ) in Hair of the Dog, Four Corners, Bethnal Green February-March 2023
2022
-Flotsam and Jetsam. (stereo sound recording 9’04” 2022) in:
Wild Energies: Live Materials, a three day online event focusing on and around the work of artist composer Annea Lockwood. London College of Communication Centre for Sound Art Research and Practice. April 2022
Engine Room: Morley College Art Gallery, June 2022
Winter Show, Orleans House Stables Gallery, December 2023-January 2024
-Jam Today (HD video 9’45” 2022) in Through the Looking Glass, World of Glass, St Helens, March-May 2022.
-A Disorderly Paradise (HD Video 5’42” 2020) In Retrespect at Sweet’Art’s Art Bypass Gallery May 2022
2021
-Those Who Were There (sound walk: 6 posters with QR codes and instructions, 6 site specific stereo sound recordings each 4 minutes 2021). Made in collaboration with Maya Chowdhry as part of the exhibition From the Ground Up in Castlefield Gallery New Art Space Wigan, September 2021. .
-Coloured Glass and Mirrors, (stereo sound recording 6’ 42” 2021), part of a listening event for Something Other’s call on Visions, hosted by Ignota Books, July 2021.
-Nothing Worthwhile is Done Alone: On Friendship and Feminist Organising (Sound recording 30’ 24” 2020)
Made with Helena Reckitt and commissioned by Annette Hans of Kunstverein Harburger Bahnhof for a collaborative project with Anne Meerpohl / HFBK Hamburg (the Hamburg art school) around feminism, care and friendship January 2021.
-As Water (HD video 6’04” 2020) in Castlefield Gallery exhibition Obstructions December 2020- May 2021
-This Time (HD Video 5’ 06`’, 2020) in Unprecedented, OVADA, Oxford, May 2021
-Inside (HD video 2’ 46” 2020), selected for ECO feminism film festival Genesis cinema October 2021
2020
-A Disorderly Paradise (HD Video 5’42” 2020) selected for Home’s Filmed Up screening, December 2020
-Aflame (Stereo sound recording 5’, 2020), The Art Hunt, Sweet ‘Art, 14th September-31st October 2020
-Inside (HD video 2’ 46” 2020), part of Ten Obstructions Instagram exhibition. July-September 2020
This Time (HD Video 5’ 06`’, 2020) in Come Hell or High Water, Limehouse Reach, June 2020
-The Motion of Waves, (stereo sound recording 7’45”, 2020) in Something Other Live: Circularity. Live Art Development Agency website, May 2020
-Love, dinners, flowers, dances (money, work, deadlines, power), (collaborative sound recording 30’06” + booklet and poster) 2020
in The Great Leveller?, curated by Sweet ‘Art on www.artsteps.com, May-June 2020
and Unseen Labour, Old Newington Library, 155 Walworth Rd, Walworth, London SE17 1RS, March 2020
2019
-From There until Here. Stereo sound recording. In Tait Today, Morley College, November 2019 to January 2020
-Listen: an exploration of collective and collaborative working. Broadcast on Art Licks Weekend Radio, October 2019
-Mermaids Singing and To Meet the Sea (video) in Writing Photographs: an exhibition project for text/image environments. Art Academy Newington SE15, September 2019
-To Meet the Sea (audio with six annotated photographic prints) in Limbo, Brighton Socially Engaged Art Salon, May 2019
-Grethel, Table exhibition screening night. Swiss Church, Endell St, London WC2H 9DY. March 2019.
-To Meet the Sea (video),
In Invisible Material: process, performance and screenings. London College of Communication, March 2019,
and part of Writing Photographs exhibition in a suitcase. Education in Progress. London College of Communication Lower Street Gallery. March 2019.
2018
-To meet the sea (audio version), BLUNT Open Studio, ACAVA Limehouse Art Foundation, October 2018
-Part of something bigger, Video Art Film Club, Leyden Gallery, London E1, September 2018; and Artists Jamboree, Darlington, June 2018;
-Habaneras +sound installation, Falmouth Poly February, 2018
-Away, In Sheroes, Ugly Duck, Bermondsey, March 2018
2017
-Habaneras, + sound installation at Proud Archivist, London N1, December 2017
-Away, in VACANT. IN USE Deptford Old Police Station, part of Deptford X fringe, September 2017
-Part of something bigger. Femfest film night, 47 Tanner Street SEI, September 2017
-Flow, in Writing Photographs, LCC Space, Elephant and Castle SE1, June 2017
-I'll Tell You about the Mermaid, in Three-fold, Butifou Gallery, Hangzhou, China, May 2017
2000-2016: numerous group shows in spaces including Manchester City Art Gallery and Preston Harris Art Gallery.
Recent presentations and performance
Presentation to London College of Communication MA Photography alumni December 2020
Presentation to London Independent Photography Group Image and Text subgroup November 2020
Panellist in Old frames new picture symposium organised by Manchester Community Council October 2020
Castlefield Gallery Associates session: Apologies for absence, in Digital Penfriends in collaboration with Brenda Hickin. July 2020
Selected participant in Audio Testimonies, on line symposium organised by Emerge (Bournemouth Univ) and CRISaP (LCC) considering how artists use sound to enable new forms of testimony to engage public consciousness. July 2020
Performance of responses to To meet the sea and Mermaids Singing, Art Academy Newington, September 2019.
Brighton Socially Engaged Art Salon Limbo exhibition. Difference, non-linear time and Limbo. May 2019.
Invisible Material: process, performance and screenings, London College of Communication. Invisible Material: A group residency and a peer mentoring group – a productive process of mutual support. March 2019.
Poetry night Camden Arts Centre: Harsh, uncompromising love poem. March 2019.
Artists Jamboree 20:20 presentation, To meet the sea. Dartington, June 2018.
Encountering Difference Symposium, Exploring Difference, Camberwell College, February 2018.
Writing photographs lecture series: Part of Something Bigger. London College of Communication. May 2017.
Symposium: Photography and the new generation. I'll tell you about the mermaid. Hangzhou China. April 2017.
Writing photographs lecture series: Manifesto. London College of Communication. June 2016.
Other
Invited participant in Sheffield University’s Creative Lives research seminar. March 2020.
Joint leader of Barbican’s Feminist Looking at Masculinities workshop, March 2020
Documentation of and participation in the development of the exhibition Nowruz/New Day at Touchstones Gallery Rochdale 2019
Castlefield Gallery Manchester Associate 2016-present
Attendee Islington Mill Art Academy wider public programme 2019
Working group member for Feminist Duration reading group, currently resident at SLG. Led session on Hydrofeminism at Feminist Duration Reading Group. December 2017 and Anti-university event Women Acting Collectively June 2018.
LCC Writing Photographs research group member 2016 - present.
Regular participant in University of the Arts (UAL) feminist/queer performance/ moving image crit network Space for Failure.
2003- 2008 founding member of Fotografica collective which curated and promoted exhibitions of work of new and innovative North West photography in spaces outside the traditional gallery system.
1999-2005 Treasurer and board member, Redeye Photography Network
Recent published writing
November 2019 https://somethingother.blog/2019/10/11/these-are-not-tales-of-victory/
January 2019 https://www.artquest.org.uk/how-to-articles/sabrina-fuller-mentor-a-trusted-teacher-or-adviser/
December 2018 https://somethingother.blog/2018/12/14/sound-of-the-river/
September 2018 https://www.artquest.org.uk/how-to-articles/sabrina-fuller-a-community-of-artists/
May 2018 https://www.artquest.org.uk/how-to-articles/sabrina-fuller-a-future-network-building-a-peer-mentoring-group/
December 2017 http://blogs.arts.ac.uk/pgcommunity/2017/10/17/exhibition-review-vacant-in-use-old-police-station-in-deptford/
Collaborative writing
January 2019 Editor Ania Bas, A New Job in a New Town: exploring the potential of co-produced text. Published by Whitstable Biennial. https://www.whitstablebiennale.com/journal/download-ania-bas-a-new-career-in-a-new-town/
October 2018 Feminist Duration Reading Group, Co-authoring Values. In Daylight, Vol 1, Published by the Wellcome Trust
Review
http://wearewia.com/review-sweet-art-presents-the-great-leveller-online-exhibition/
Recent courses
Sonic Arts, City Lit, June 2020.
Sound Art, Morley College, October 2019 -June 2020
Intimate Chaos, Camden Arts Centre February 2019
Politics and protest. Lux, Sept-Oct 2018
Artists film. Tate Modern. June 2018
Performance, power and desire. Camden Art Centre. June 2018
Attention: a workshop with Ben Russell. LUX. February 2018.
Masters of Sex: Feminisms, sexuality and the media and archive. Goldsmiths College. January-March 2018
New Modes of Art Writing Symposium: Intersections of the critical and creative voice. Manchester Metropolitan University October 2017
Location sound recording for artists, LUX, Oct 2017
Sound Design for Installation, Chelsea College, June 2017
Regular attender of LCC's Centre for Research into Sound Arts Practice (CRISaP) Points of Listening Seminars.
To become two: propositions for new feminist political practice, Three part workshop by Alex Martinis Roe, Showroom Gallery, May 2017
Screenwriting workshop led by Anja Kirschner, LUX, February 2017
LCC Writing photographs research group workshops: Writing and image, Daniela Cascella June and September 2016; Technology and image, Erica Scourti, February 2017; Sound and image, David Mollin, March 2017; Writing Photographs - A debate on how Text and Image relate through Installation followed by workshop with Marcus Coates, (Tate Modern) May 2017; Voice and image, Ann Théato June 2017.
Voice: a workshop/performance research session. Yael Shavit and Olivia Plender, Open School East (OSE) July 2016
Approaches to feminist and queer politics in artist video Led by Olivia Plender, Open School East March 2016
Writing and photography, Chinese Arts Centre, 2014
Fictional storytelling with Cristina de Middel, Open Eye Gallery, 2014